Tuesday, May 6, 2014

Writing Myth #1: Daily Writing

As writers, we’re told that, in order to be good at what we do, we must write, if not every single day, then at least very, very consistently (like, every other day or so). Even if we are dried of ideas. Even if our minds and bodies are burnt out. Even if we’re temporarily bored with going at the same thing over and over again. We are told that forcing ourselves into a daily habit, no matter what, will cause us to generate ideas...eventually...and you never know: maybe that one halfhearted line we jotted down will inspire something greater later down the road.

There are two reasons that forcing constant writing to the extreme can be counterproductive for a writer. One: we are not allowing our creativity to rejuvenate; and two: we are not allowing ourselves garner new material.

The concept of the dark moon phase is a spiritual one, originally, and typically for women because of the cycles their bodies go through. However, it needn’t be only reserved for spirituality or femininity; this phase is, really, any period of time that a person goes through in which their physical and mental facilities slow or shut down. Think: depression, illness, “writer’s block,” etc. It’s a period of rest, in which we metaphorically, and sometimes literally, renew ourselves. Think: sleep, winter.

If we push ourselves too much in anything, we often break down and cannot keep performing 100% effectively. When we are feeling burnt out about writing, instead of pushing the issue, many times it’s best to step away for a while to give our minds a break so that we can come back to our pieces with full force. We can retreat into ourselves, watch mindless TV, pursue another creative medium, go out and party, sleep, do whatever the hell want to make ourselves feel better and inspired again.

Going a length of time without writing will not hurt you as a writer, at least not if you are choosing not to write (because, on the contrary, not writing against our will due to work or school or life can be frustrating, and that can be dangerous or detrimental to our creativity and happiness). I am not spiritual at all, but I buy into the idea of the dark moon phase because I do believe in allowing time to revive ourselves. When I was still in college, I'd allow myself at least a week at the beginning of winter or summer break to just sleep and fuck around because of how burnt out I'd be from school, but then I'd rev up and get some serious writing done. Stepping away from a particular piece or just the act of writing itself can lead to a refreshed mind once we come back, and often that’s when we are able to figure out solutions to problem areas, are able to see things in a night light, and are able to perform at our best.

Also, by not forcing ourselves into a strict routine of writing, we allow ourselves to actually experience life, which can do a lot more good for our writing than actually writing can sometimes. An old friend of mine told me that he felt almost guilty because he hadn’t been writing too much because he’d been busy doing many other things, and I had told him that that was a good thing: doing other things. How else are we to generate new ideas? Even if someone writes something extremely fantastical, with lots of imagination involved, they still need to draw their most basic ideas from somewhere, and those come from what we do and observe personally.

I write a lot about love. My ex used to get upset and was always on my case about that because he’d say, soon I’d need to get more material if I wanted to keep writing, if you know what I mean. In a way, he had a point (that’s not to say I can’t and don’t write about things other than relationships with men). But if you sit at a computer or in front of your notebook every single day, especially for a substantial amount of time, you’re missing out doing the things that are indeed worth writing about.


There should be no guilt, no feelings about not being a “true writer", because you might not write every day like many people tell you that you should. Embrace the moments away from the art, give yourself a break. Being a “true” writer simply means knowing that you won’t stay away from writing forever, you’ll come back when you’re ready to be a beast at it. You know it. 


________________________

Follow the Literary Underground @litinc
Siren Bee @ButterDancer
And check back Monday, May 19 for a brand new post.

Monday, April 21, 2014

A Life after the B.A. in English and A Year into Retail

I went to Catholic school for ten years, nearly half of my life. When I transitioned into a public high school, and even into college, I had trouble shaking off the traditions and the “Catholic guilt,” even though my beliefs did a 180. Old habits die hard, ya know. Just the same, how I think about writing still kind of relies on what I’ve been told or what I’d experienced while in a liberal arts program, which I’ve been graduated from for almost a year now.
            
I could start a whole big list of the myths brought to you by creative writing programs (I was only in one briefly when I first started school, but still, I’ve taken classes since), but these courses can be “forgiven” if considered a fundamental education for “beginning” writers, or a chance for writers to do something a little more fun and creative in their college career. And I could list off a bunch of “remedies” that could help get writers beyond the typical creative writing course standards (such as: telling over showing is not always what’s best...whoa). 

But, I won’t because my advice isn’t any better than anything else others might be handing out, and hey—I don’t even have an MFA to back it up (insert a wink here). All I’ve got to offer are my own considerations about different approaches to craft anyway, but one big thing I’ve learned is that it really all comes down to the person who’s writing and what works for them or not. (Yeah, some things may not be effective for some audiences, publications, or genres, but hey, there are always other readers. I mean, do you realize that monster erotica is, like, extremely popular?)
            
Because today I’ve been drinking and because I’m facing a possible promotion at work, my main spiel deals with my years of feeling as if the line of work I ended up with after graduation simply isn’t good enough for a writer. After I graduated, everyone expected me to enter an MFA program and become a teacher, and that totally didn’t end up happening. Not even close. And so, because I needed a job, I got one in retail. That turned into a full-time gig, then I got a promotion as coordinator of my department, and now I’m up for management.

You know how you go into a store over and over and the thing you buy is always in the same spot in the same aisle, but then one day it’s moved and you get pretty pissed because you can’t find that item easily? Yeah, that’s what I do. And ya know, I really like it. 1, the job keeps me busy both mentally and physically so time goes by super quick and I’m not left with excess time to think about how my life might suck; 2, the tasks are puzzle-like and require problem solving skills since I am constantly having to figure out how to make shit work so it isn't mindless; 3, I never have to take work home with me, and so while I may be exhausted from working at 6am every day, I have my afternoons all to myself; and 4, I work with many awesome people who are real people and who I can learn from.


In the beginning, I felt pretty depressed about it all, though, because others made me feel as if I wasn’t living up to my potential. I have a college degree, why the hell wasn’t I using it? Because, honestly: I don’t need to use it to have a fulfilling life. I’ve had many wonderful experiences in college that have indeed helped me become who I am today, and they have shaped my identity as a writer, but it is not the degree or the career thereafter that defines who you are as a writer/artist/person in general. 

You are what you do in all aspects of your life. If you work just to make a living and then come home to write beautiful books, who’s to say you are no better than the creative writing teachers, etc? If anything, working jobs outside the field of writing can give you an advantage: you are experiencing different things that can enrich your writing and influence your creativity by giving you insights that you may not get from having a career that mirrors what you do artistically. Anyway, in the end, being a better writer doesn’t mean you’ve got the academic or professional credentials to back up your talent; it means you’ve worked pretty damn hard at your writing, and you can get that from anywhere at any point in your life.

________________________

Follow the Literary Underground @litinc
Siren Bee @ButterDancer
And check back Monday, May 5 for a brand new post.

Thursday, April 17, 2014

Call for submissions: The Parenthetical Review

The Parenthetical Review is seeking works of fiction and creative non-fiction for its forthcoming online edition. Submissions should be approximately 5,000 words. Humor, speculative fiction, research-based non-fiction and immersion journalism will all be considered. The deadline for submissions is 15 May. All work can be e-mailed as an attachment to submissions@parentheticalreview.com Visit: www.parentheticalreview.com to see the call for submissions and for further contact information.

Tuesday, April 15, 2014

grassroots, yo

ok. so i don't like kickstarter. first of all there's the fees. we already operate in the red, so fuck that. also, there's a bunch of crap you gotta fill out and i'm lazy sometimes and i didn't feel like it. also, you have to send out "rewards" to everyone... see reason #1. and isn't helping out with something you dig reward enough?

i slapped this site together (http://theliteraryunderground.org/letsfundraisethisshit/) with some of the groovy stuff the LU has done/is doing. all of it could not have happened without some very generous individuals. generous with their money, time, skills and talent. i'm not even going to try to make a list because there have been MANY and i would forget someone. not for the lack of mattering because IT ALL matters. because there are so many good things going on, i can't even keep track. love and light to you all and i don't even care if it sounds hippie.

help out if you can, spread the word.

luv,
mm

http://theliteraryunderground.org/letsfundraisethisshit/

Monday, April 7, 2014

Butter-Coating Our Art, Or How I Gave Up Caring About What Is Art and Focused on Enjoying Art

Let me first say: this is going to be the one and only butter reference that I’ll ever make in a blog post. Promise. (I keep saying how no one will let me live down that one time that I might’ve danced in a kiddie pool of butter at a Jacksonville, IL poetry reading, but I’m partially to blame for the legacy living on.)

Now, I’m gonna say this: Man, I used to be one pretentious little shithead when it came to the arts. When I was younger – say, around the high school age – it was because of my inflated ego. My sworn enemy at the time and I used to secretly read each other’s online diaries to further fuel our hatred for each other (teenage drama, psh), and I remember one time knowing that she was writing about me. She had written, “She thinks she’s God’s gift to writing.” Yeah, back when I was 15, I sure did think so. I’m not even sure why I thought that, other than teachers’ compliments had probably simmered in my mind and created a monster.

But, as I got older, the pretentious attitude came from my time served in academia. Now, now, I’m not saying there is anything wrong academia/academic-flavored creative writing. But I am saying that earning an English lit degree left me with this false sense of knowing what qualifies as good, and that in turn meant, turning up my nose at some things that could very well have been worth my time. (Take, for example, The Hunger Games. A while ago, I never would've touched them because I was all, "Ewww, what is this? It's definitely not 'good' literature!" But then I read the first book and, yep, I fell in love.) And sure, there are some qualities of art that we can just tell are not typically 'good', but that’s a different topic for a different week.
           
My point for this short and sweet inaugural blog post deals with the pretension surrounding what is art and what is an insult to art. So to speak.

How many times do we go around spewing out, “That’s not art. That’s art. Oh, that is definitely not art”? Who are we really to know? We can have our own opinions of what art is and we can (and should) use those opinions to try forming a substantial definition, but see, the problem is that not even philosophers who spend lifetimes studying the question of what is art have a comprehensive idea of what it is. They do agree (and I do, too) that there is something “special” that sets art apart from other forms of entertainment or expression, but not everyone agrees on what that thing is. For instance, could art be art because of emotion, or is it intent, and blah blah blah? So, again: who are we to know ourselves? We simply know what we create. Everything else is just something we’re all striving to understand.

So, now to the damn butter incident. Yes, one time, my friends did talk me into dancing in a pool of butter while a woman sang “Someone Like You” and a man danced behind me in a diaper. Some people regarded that as a mockery to art, as if we weren’t taking poetry seriously because we did this between readings. This is where the problem of thinking we know all about art comes in. No one ever claimed that this gimmicky little stunt was art or what have you. It wasn’t even in defiance of art. Not at all! And the truth is we all care deeply about the art form. What was it then, this stupid little dance? Fun. That’s all.

Mockery? More like beautiful regret.
Art should be taken seriously, indeed. It is very important for our society, it is critical for human existence, but it should not be taken so incredibly seriously that we cannot have fun with it, alongside it, or at its expense. Sometimes, it is when we step beyond the boundaries and delve into the batshit that we learn the most about ourselves, our groups, our art. We might learn more about what it may or may not be, we might gain experiences that enrich the concept we already have of it, we might simply walk away with story/poem ideas (which is always a good thing). But when we turn up our noses, we risk losing out on all sorts of interesting (not always in a good way, of course) experiences and opportunities.

TLDR: You should never candy-coat your creations, or look at them with rose-colored glasses with your nose tilted upward, but, dammit, sometimes it’s just fun to get ‘em all greased up and saturated in butter.





Follow Siren Bee on Twitter @ButterDancer.
Check back for a new post every other Monday. 

Friday, February 28, 2014

http://thisispoetry.tumblr.com/

THIS IS POETRY
The Literary Underground is pleased to announce a new project called "This is Poetry". The project will ultimately result in an eight-volume collection of poetry, each volume representing poets from a specific geographic region as well as several special collections. These perfect-bound books will be published under Citizens for Decent Literature Press, founded as part of The Literary Underground. Co-edited by Michele McDannold and Brian W. Fugett, we are currently working on the first two volumes: Women of the Small Press and the American Midwest.

Poems selected for this project will first be published online via tumblr blog - http://thisispoetry.tumblr.com/ - a bit of a social media experiment with poetry. Wouldn't it be great if poetry went viral? We think so.

Submissions are taken by invitation only and based on referral from poets participating in the project. This is how the project is taking on an organic life of its own. It's not just the eds hitting up their favorite poets. It's the eds hitting up their favorite poets, their favorite poets tossing in their favorite poets and so on etc into awesomeness.

Another important and exciting aspect of this project is that we are encouraging contributors to send in their best, most defining work including and emphasizing on previously published poems. It is our intent to highlight other small press publishers, noting the publication credit with a link to the online presence of the small press publisher with each poem published on the tumblr as well as a links page including the same, gathered for easier reference.

viva la Underground
SUPPORT THE SMALL PRESS!

http://theliteraryunderground.org

Sunday, January 26, 2014

the debut issue of Blotterature Literary Magazine is now LIVE

http://blotterature.com/

mosaic

contributors: Amy Lindsey, ira joel haber, Carol Moore, Tim Murray, Carla Winterbottom, K.A. McGowan, Roberta Turner, Peter Fraser, Isaac Blum, William Taylor Jr., J.B. Mulligan, Miguel Gardel, Thaddeus Rutkowski, E.B. Ellis, Nicole Montalvo, Kayla Greenwell, Lee Olsen, Janine Rivett, Suzanne Cope, Aaron Fine, Toke Hoppenbrowers, Maximillian Jackson, Rev. Dr. David Breeden, Joe Gianotti, Kachan Chatterjee, Kenneth Pobo, Jessica Thelen, Stephanie Schultz, Kathe Davis, David Potsubay, John Swain, Gary Kay, Ted Jackins, Michael Lee Johnson, Mark Lamoureux

Gutter Eloquence Issue #29

http://www.guttereloquence.com/

gem29cover

contributors: P.A. Levy, Robin Engst, David Adkins, Christopher K. Hanson, Mark J. Andrews, Dave Gregg, Holly Day, Scurvy Bastard, Michael Frias-May, Steve Klepetar, Brenton Booth, Herb Guggenheim, Athena Nilssen, BZ Niditch, Jack Henry, Michele McDannold, Luis C. Berriozabal, Jon Wesick, Marjorie Sadin, Fotis Tzanakis, John Grochalski, Ford Dagenham

Saturday, January 25, 2014

maybe next time it's you

I would like to be writing this blog post about anything else. Anything positive and affirming to the creative community. Instead, it's this...

http://www.youtube.com/watch?v=sNFpKcHsxvc

Artists in residence at the Collingwood Arts Center in Toledo, Ohio are being evicted--given thirty days notice--in the dead of winter. This is not just some art space. This is their home, an affordable place to live and be able to make their art.

I have been to Collingwood several times. The first, was for the Zygote in my Fez reading back in August 2011. It was the first event I ever helped put together or even go to in the small press... an amazing experience that was made possible with the help of current arts resident, poet, and dear friend Michael Grover.

[caption id="attachment_73" align="alignleft" width="300"]Tim-Murray-of-Valparaiso-recites-poetry Tim Murray of Valparaiso, Indiana, recites one of his poems during Zygote in My Fez at the Collingwood Arts Center. - THE BLADE/ANDY MORRISON[/caption]

That event brought many people together that had worked with each other for years in independent publishing, but never actually met in person. Mix of poets converges to share works at area festival. Arts center event showcases creativity and collaboration. (Toledo Blade). It inspired some great writing, a book, and many more collaborations. Some would even call it the beginning of a goddamn "underground cultural phenomenon." Dorsey: Zygote on the Road (Toledo Free Press)

What the fuck is wrong with our society that we can throw away money on useless bullshit and turn the other direction when something like this happens? What does this say about what we value? It's shameful. downright disgusting.

I don't know what, if anything can be done. I'm looking for someone to complain to, and I just hope that you will be aware, make other people aware, and do SOMETHING, anything to put a stop to this horseshit, show your support, refuse to sit by idly.

When you make the arts, creativity... your life... yeah, maybe you're gonna suffer for it. bleed for the page and all that. Does it really have to be this miserable though? It shouldn't.

re-posted from http://marmaladesweater.wordpress.com/

**UPDATE**
a fund has been created to take donations to help those being displaced. please give if you can, any amount helps. or help spread the word. http://www.gofundme.com/6g2ezg

"These are poor starving artists who have been living with subsidized rent so they can do their craft. My goal is to raise funds to make their transition to a new place easier. Hopefully make their landing softer. There are 28 residents that range all kinds of disciplines and ages."

Tuesday, January 21, 2014

Palaver Press Call for Submissions

callforsubmissions

OPEN CALL FOR SUBMISSIONS
For a new audio-literature podcast series by Palaver Press.

[ short fiction (in audio), music & sound ]

PALAVER PRESS is launching two themed audio-literature podcasts in the Spring of 2014, and we're on the hunt for amazing works of short fiction, music and sound from today's most exciting independent authors and artists!

Each 90-minute podcast will feature several narrated short-stories, seamlessly woven together with music, exploring concepts derived from music and compositional theory.

HOW TO ENTER
Please read the following instructions and fill out the form at this link:
http://www.palaverpress.com/open-call-for-submissions.html

This is an open call for SHORT FICTION (in audio format), SONGS and SOUND WORKS responding or relevant to a specific theme, either in content or structure. We are only accepting full works of recorded audio at this time. We are not accepting poetry, non-fiction, radio drama or excerpts of longer pieces.

The two themes for this Open Call are: PIANO & DA CAPO

1) PIANO - either involving the piano as an instrument, or making use of the Italian compositional term piano, which means "played softly".
2) DA CAPO (Repetition) - this Italian compositional term signifies the repetition or revisiting of a phrase or movement.

FICTION STORIES submitted will be between 5 - 20 minutes in duration.
MUSIC/SOUND WORKS submitted will be between 3 - 10 minutes in duration.

Deadline : Monday, February 17, 2014 (11:59pm EST)
Cost : $3 (USD)

Criteria / Eligibility
-Applicant must hold either the rights, or permission of use of submitted pieces, and by submitting to this podcast, the applicant is granting Palaver Press permission to include this material in our broadcast/podcast.
-Literary submissions can be narrated by anyone, including the author, but must be narrated in English.
-All pieces must have been written and recorded within the last five years.
-An applicant may submit up to two works in either format.
-Acceptable audio formats include mp3, m4a, m4b or AAC. Please do not send WAV or AIFF.
-All genres of fiction are acceptable.

Terms
Palaver Press will notify all applicants of their status on or by Monday, March 10, 2014 via e-mail. By submitting, applicants are allowing Palaver Press to add their e-mail address to the company's mailing list. Applicants may "unsubscribe" upon receipt of their acceptance status by following the links at the bottom of the e-mail. We are only accepting submissions online.


TO SUBMIT:
visit http://www.palaverpress.com/open-call-for-submissions.html

Follow us on Facebook:
http://www.facebook.com/PalaverPress

Friday, January 3, 2014

Call for Submissions: short works of fiction and non-fiction

Not Your Eyes is a publishing house established in 2013. Content is mainly published online but will also find its way into annual, biannual or quarterly print anthologies, depending on how much time, money, and energy are available.

We publish short works of fiction and non-fiction which let you escape your daily routine. There are no particular submission criteria for fiction. For non-fiction, a strong personal dimension in the prose is important. The reader must be given the chance to see the world through the eyes of the author.

Submissions need to be in English but do not need to be unpublished. However, please respect any exclusivity arrangements you might be engaged in.

Not Your Eyes is non-profit and any money that might (miraculously) be made through the sale of print anthologies will contribute to the production of subsequent issues.

When it comes to format, anything goes. We welcome old-fashioned structures such as the essay or the short story. But we also feel very positive about anything that challenges conventions, such as maybe a collection of Twitter or Facebook posts, or a WhatsApp conversation.

http://notyoureyes.com/

Monday, December 30, 2013

ppigpenn interviews

thanks to Catfish McDaris there are a bunch of new interviews from writers near and far up at the ppigpenn. seems he went out of his way to gather up words from folks all over. and i appreciate that. good stuff. some you have probably heard of and some not. which is right in line with what's behind pretty much everything we do at the LU.

i'm proud to be a part of it and i hope you'll check out the interviews. maybe discover a new favorite poet/writer/artist. ppigpenn is also accepting submissions of poetry, flash, and art. so send us something.

have a happy new year... forgive more, love harder, and all that other groovy shit people get all resolutiony about at least once a year. me, i think i'll quit smoking. #hahaha

hugs,
mm

http://ppigpenn.blogspot.com/p/interviews.html

Glenn Cooper, Alain Crozier, Gary Cummiskey, Eric Dejaeger, Jocelyne Desforges, Alexis Rhone Fancher, Paul Hawkins, Azriel Johnson, Tim Murray, Valli Poole, Kevin Ridgeway, Van Roberts, Sarer Scotthorne, Ben John Smith, Kenneth Trimble, Philip Vermaas, Mercedes Webb-Pullman, and Ali Znaidi. there's also one from me in there

Wednesday, November 27, 2013

Call for Submissions: Ppigpenn

Send raw wild words & art to Catfish at Mcdar3(at)aol[dot]com

We want poems & flash & art. Imagine extreme hunger & you had only one fish hook & a tiny bullhead swallowed your bait & you had to jerk out all the guts & heart. These innards are what we want.

http://ppigpenn.blogspot.com

Wednesday, November 20, 2013

New Issue of Citizens for Decent Literature

CfDL #8

Contributors:
Catfish McDaris, Dan Provost, Craig Cady, James Griffin, John Greiner, Alan Catlin, Luis Rivas, William Doreski, Nathan Schaaf, Gregory Liffick, and Kyle Hemmings with artwork by Kyle Hemmings and Dave MacDowell.

online edition is here:http://nowplaying.citizensfordecentliterature.com/

digital copy of print edition is here:


Thanks for reading!

Tuesday, October 29, 2013

Nothing to Lose welcomes special guest Ron Whitehead

Poet and Literary Activist Ron Whitehead to be featured on “Nothing to Lose” internet radio program

[caption id="attachment_1250" align="aligncenter" width="300"]Ron Whitehead Photograph by Jinn; Creative Commons Attribution-NonCommercial-NoDerivs 2.5.[/caption]

The Literary Underground is pleased to announce a special episode of “Nothing to Lose” on Project U Radio Network featuring an interview with Ron Whitehead on Friday, November 1st. Mr. Whitehead is a poet, writer, editor, publisher, organizer, scholar and professor. He will be discussing his writing, his many years involved in performance and organizing, his numerous literary projects, and the upcoming release of Outlaw Poet, a documentary about his life.

Ron Whitehead grew up on a farm in Kentucky. He attended The University of Louisville and Oxford University. As a poet and writer he is the recipient of numerous state, national, and international awards/prizes including The All Kentucky Poetry Prize, The Yeats Club of Oxford's Prize for Poetry, and many others. In 2006 Dr. John Rocco (NYC) nominated Ron for The Nobel Prize in Literature. Nick Storm, Storm Generation Films, is producing an independent feature length cinema verite bio documentary Outlaw Poet Ron Whitehead. Nick will have 100 hours of film rough draft edited to 120 minutes by the end of 2013 with anticipated release for 2014.

Co-founder of the historic City Lights Booksellers & Publishers Lawrence Ferlinghetti said of Mr. Whitehead, “Ron Whitehead, out there in Kentucky, out there where the tall heroes used to grow, is sowing the dragon's teeth of new heroics.”

Mr. Whitehead has traveled extensively to promote poetry. He has presented numerous talks, lectures, and writing workshops around the world at colleges, universities, and institutions which include Trinity College (Dublin, Ireland), The University of Iceland (Reykjavik, Iceland), The University of Braga (Braga, Portugal), The University of Nijmegen (Nigmegen, The Netherlands), and many more.

Poet and literary activist Bruce Hodder of England said of Mr. Whitehead's work, “all you people out there with an interest in poetry as it's being written now by people who are bringing style and passion and innovation to the craft would do yourselves a big favour if you googled the name of Ron Whitehead and had a look at what he's been doing these past few years.”

“Nothing to Lose” is a popular internet radio program on the Project U Radio Network hosted by Independent Press editors Brian W. Fugett (Zygote in my Coffee), Michael D. Goscinski (Regardless of Authority), and Michelle L. Quinn (Blotterature). “Nothing to Lose” is committed to featuring creativity in all its various forms by presenting writers, musicians, artists, and performers... anyone involved in the production of creative things with a focus on independent and marginalized perspectives.

For more information about Ron Whitehead, please visit http://www.tappingmyownphone.com/. “Nothing to Lose” can be listened to live online Friday nights at 9pm Pacific/11pm Central on the Project U Radio Network at http://blogtalkradio.com/theliteraryunderground. All episodes are archived and available for download on BlogTalk Radio and iTunes.

About The Literary Underground
The Literary Underground is a grassroots effort committed to supporting and promoting the creative arts in the independent press. Founded in 2010, successful projects to date include: The Literary Underground Wiki, an open-source encyclopedia devoted to the underground press; Project U Radio Network, with shows hosted on blogtalk radio including author interviews, open mics and topic shows; the Archive Directory, providing web space for the archival of defunct publications; and Citizens For Decent Literature, an online and print publication that seeks to give voice to the voiceless.

Tuesday, October 1, 2013

CfDL Best of the Net and Pushcart Nominations

Citizens for Decent Literature is pleased to announce their nominations for the 2013 Best of the Net and Pushcart Prize. Thanks goes out to all of our contributors and congratulations to the nominees.

BEST OF THE NET

Issue #1
Under Douche Bag by Shali Nicholas
http://nowplaying.citizensfordecentliterature.com/2012/08/nicholas/

Issue #2
These Little Rituals by Anneliese Mackintosh
http://nowplaying.citizensfordecentliterature.com/2012/09/mackintosh/

Unshaved by Josh Olsen
http://nowplaying.citizensfordecentliterature.com/2012/09/olsen-3/

Issue #3
Yep, Another Library Pome by Tim Murray
http://nowplaying.citizensfordecentliterature.com/2012/10/timmurray/

Issue #5
Neo-Zine by Bud Smith
http://nowplaying.citizensfordecentliterature.com/2013/02/smith-5/

Issue #6
The Backseats of My Early Twenties by Sarah E. Alderman
http://nowplaying.citizensfordecentliterature.com/2013/03/alderman/

Note to My Younger Self on the Beauty of Birds by Larry Duncan
http://nowplaying.citizensfordecentliterature.com/2013/03/duncan-2/

My Friend with Cerebral Palsy by Newamba Flamingo
http://nowplaying.citizensfordecentliterature.com/2013/03/flamingo/

Reckless by Erin Reardon
http://nowplaying.citizensfordecentliterature.com/2013/03/reardon/

Stupid Poem about Stupid Airports by William Taylor Jr.
http://nowplaying.citizensfordecentliterature.com/2013/03/taylor-2/

PUSHCART PRIZE

How to Cook in a Coffee Pot by Heather Dorn
http://nowplaying.citizensfordecentliterature.com/2013/03/dorn-3/

This is the Damn Poem by Brian W. Fugett
http://nowplaying.citizensfordecentliterature.com/2012/07/fugett/

Akirema by Frank Walsh
http://nowplaying.citizensfordecentliterature.com/2013/02/walsh-2/

Up the Whiskey Tree by April Michelle Bratten
http://issuu.com/literaryunderground/docs/cfdl3

Charger by Tom Pescatore
(Little Book)

Part 1 by Tim Murray
(Dinosaur Ditch)


Citizens for Decent Literature Press was founded in 2011 as a project of The Literary Underground. Established first as a print zine and APA (Amateur Press Association), our formats now include Little Books, Roll Your Own Stories and the Manuscript Series – all available for FREE. Our Chapbook Series is available at or below cost. Now Playing @ Citizens for Decent Literature began publishing poetry, short stories, essays and rants on January 1, 2012 every third day. In August 2012 the publishing schedule was moved to monthly with the first issue on August 15th and is now currently published on the most random schedule possible.

Wednesday, September 11, 2013

Poets, Butter Cows, Juggalos, oh my!



come for the butter. stay for the change

i want to be michael rothenberg when i grow up. no kidding. he is an inspiration. i am in awe of the work he has done/is doing. as a community of creative people, we should thank our lucky stars to have such a humble person repping for us all over the world. if you missed his interview on the Nothing to Lose show last night, you can check it out in the archives... well worth your time. (http://www.blogtalkradio.com/theliteraryunderground/2013/09/07/nothing-to-lose)

toward the end of the show last night, he asked about our little shindig planned for 100 Thousand Poets for Change Day in Danville, Illinois... what do we care about in illinois? well... we care about butter. it's true. there is evidence...

The Butter Cow

when we decided to pursue finding a place and setting up an event to be a part of 100 Thousand Poets for Change Day, I started thinking about change. what kind of change... i wrote a long rambly statement as i do tend to do and thankfully it is lost to my mess of a desk. i can now sum it up in one word: CONNECTION.

because our society as a whole has become all too 2-dimensional on a virtual plane. as great and essential as it is.. none of this would even be possible.. creative people from around the globe connecting.. especially with yahoos, juggalos, and misfits from out in the cornfields. isolation is more than a state of mind when you live in the rural midwest. where everything comes a little bit later and a lot bit slower. if you think or move outside the box, you're likely to get stoned for it and not in the fun way, in the biblical way. my life has certainly been changed by the internet, by connecting online to like-minded fellows. but the real transformation, the stuff that sticks, that gives me the drive i need to keep going even when i'm still out here in the sticks--suffering a bit of rage everytime i have to visit the local walmarts-- it is the connections and experiences that i have had meeting, getting to know, being inspired by and working with these amazing people that i have come to refer to as the asshole poets. dammit, i love them.

they gave me the courage and the push that i need to flip the bird to all my silly little issues that said oh you are too much of this and not enough of that. maybe, just maybe, i can get out there and do something worthwhile. from toledo, chicago, milwaukee, oakland, ypsilanti, albuquerque, denver, champaign, cleveland, and even the Jhole. we put together events and come out to support others with the very simple intent to bring people together, to share and appreciate the work, to set aside the egos and the dumb, small press dramas. and maybe it wasn't change that we were after... it was simply inevitable. true connection creates change. on a personal level and beyond.

i dare anyone to step outside of themselves, to know these people--these asshole poets. share with them your ideas, sit for a while with theirs. yes, you might find yourself up on stage out in the middle of a cornfield, dancing in a kiddie pool filled with butter. it happens. but what you really might find is connection, something that goes deep down into your soul and changes you forever.

and look at that. i got all rambly again. go figure.

hope to see you there. and if not this one, the next.

luv,
mm



All Kinds to Write A Story: Reaching Other Writers (and Everyone Else)
By Sirenna Blas, Blotterature

I was sitting in Julie’s kitchen this morning trying to edit and cut down an elaborate blog post about silence and flash fiction, but I got frustrated, I went home, I slept. When I woke up, I found a post written by Michele McDannold of the Literary Underground/Citizens for Decent Literature that talked about 100 Thousand Poets for Change, which is in its third year. She talked about connection, how important it is to be connected to/with each other?especially in this age where so much is done via screens and keyboards, especially for writers. That’s the change she wants to see. More connection. Continued connection.

Writing is not a solitary act.

Writing is a community.

I remember thinking, back when I first read On the Road at 18, that it would’ve been so cool and inspiring to have a group of friends who met up regularly to just talk writing and life. I had my little MySpace group of poets at that time, who all supported and read each other’s work. But, it wasn’t the same. It was all online, and most of my own in-person friends could hardly care less. I had been dating a string of boys who were all: “*blank face* Why do you write…?”

It takes time to build a community.

Writing shouldn’t make you feel alone.

But it can and it does. Sometimes.

And even as I got a bit older, there were people in my life who still went something like: “Why are you choosing to stay in on a Friday/Saturday night, while your friends are out partying, to…*shudder* write?” And then there were even those dreaded: “Yeah, I don’t read.”

Well…shit! Me neither…. Ignore the bookcases in my bedroom?here, let me turn off the lights and I’ll seduce you not at all with my intellect?did you know at one point I was a cheerleader? Ugh.

Pretty soon it becomes tiring pretending not to care or be interested in something that you’re actually very passionate about. Eventually you realize that the relationships you have with those you are pretending for can only remain superficial. Eventually you start lying: “No, I’m staying in tonight because I’m tired, not because I’ve got this story that I can’t stop thinking about.” Eventually you realize that’s no way to be and that it’s all stupid and you learn not to care if what you enjoy doing is socially acceptable or not, and that’s the stage I’m at now, luckily, but I know it’s not that way for everyone, especially young people.

When did this disconnect between writing/creating and “socially acceptable” occur?

So. What do we do about it? Do we just keep what we do close to ourselves and not try to seep out into the rest of society and, therefore, maybe sometimes act like we’re better than everyone else, more elite, more whatever, or at least be perceived to be as such? (Oh! such generalizations, of course.) Is this partially why that disconnection might’ve occurred? Do we try sharing our passions and rectify this, and if so, how?

A moment to digress. In 2010 or something or other, I connected with Tim online. He was part of the other writers I knew, but he lived near me so we got together and tried to do some poetry stuff in our community. Fail.

But, a year later was the first 100 Thousand Poets for Change. Events were taking place all over the world that September, and Tim invited me to travel with him to Elyria, Ohio for the event he was planning on attending. I was finally going to meet some of the poets. Who knew that a couple years later, these people would still be traveling all over the Midwest (and the country) to continue meeting for various readings and events?somewhat for the poetry, mostly for each other. I’ve only been to a few of these events so far (Elyria, Toledo, Jacksonville, IL), but I’ve experienced some things with them that you probably shouldn’t even experience with your closest friends (shout out to Brian), and it always feels like home.

Something a little cooler took place in Jacksonville than just friends coming together and being all poet-y, though. There was a handful of us in the rented space (something that was put together like a wedding inside a VFW, complete with the bright white lights and fake plants and random trellis), but a horde of others came in as the reading was about to begin. Juggalos. There to support the metal band that was playing with us that night. One weird-ass combination. Us up on stage reading, someone taking off his clothes, someone else dancing in a pool of butter (*cough*cough* that wasn’t me at all…). And them.

And you know what? We danced like batshit idiots to their music. They laughed and listened to our stuff. We all talked and smoked and drank and everyone was just doing what they do?together.

Writers need others, too.

Writing isn’t an inclusive act only to those who write.

In turn: the world needs stories.

And it takes all kinds to write a story.

No cliché intended. So, if no one will come to us (unless it’s to see a band they like and you just happen to be there…), how do we go about reaching them without simultaneously compromising our work?

This is part of the change I want to see. Writing being more relevant. Writing being OK. A high school girl not getting shunned because she likes to write fan-fiction and read at lunch. A boy not being made to feel bad because he’d rather write a poem than watch the football game. And no girl dating someone like the boy I had dated when I was 19 who threatened to cut off my dreadlocks because he thought they were weird and who questioned why I wrote because he also thought it was weird.

People are weird. You ain’t no exception just because you don’t write, sweetheart.


Poets Can Dance. There is evidence on YouTube


Wednesday, September 4, 2013

100 Thousand Poets for Change on Nothing to Lose this Friday

Friday, September 6th. Show begins at 11pm CDT/9pm PDT (USA). Nothing to Lose hosts interview special guest Michael Rothenberg and take calls from organizers from around the world. Michael is the founding editor of Big Bridge and organizer extraordinaire of the 100 Thousand Poets for Change Global Event. Participants from around the world will join together on September 28th this year to celebrate creativity, community, and change. more information at http://www.100tpcmedia.org/100TPC2012/

Listen in! http://www.blogtalkradio.com/theliteraryunderground/2013/09/07/nothing-to-lose

Call in! (805) 856-2808

Nothing to Lose is hosted by Brian W. Fugett, Michael D. Goscinski, Michelle L. Quinn, and Walter Thomas Beck III on the Project U Radio Network every Friday.

Wednesday, August 28, 2013

New Release: Tollbooth by BUD SMITH

“A gloriously deranged, endless orginal adventure through every day bat country.” – Gabriel Ricard, Drunk Monkeys

TOLLBOOTH, a new novel from Bud Smith,
author of Or Something Like That

tollbooth350

Jimmy Saare collects tolls on the New Jersey Parkway. He’s had a mental snap, as a result, is becoming uncontrollably fixated with the 19 year old Gena who works the copy machine at Officetown. Despite his wife Sarah’s impending pregnancy, Jimmy pursues his desire for Gena, unexpectedly becoming more entangled with the strange manipulations of an anarchistic teenager, Kid with Clownhead, who wants to start his own destructive cult when he grows up.

AVAILABLE NOW AT AMAZON
http://www.amazon.com/Tollbooth-Bud-Smith/dp/1482642174

Signed copies from the author!
$12.00
click the paypal button on this page http://budsmithwrites.com/books/tollbooth/


also available on KINDLE for only $4.99


Here’s what peeps are saying:

“A tantalizing joyride of contemporary American dysfunction …”
- Zygote in My Coffee

“Bud Smith’s Tollbooth is like the car accident of a book that everyone slows down for, to watch along their way to wherever–the type of car accident that creates a 30 mile stretch of idling vehicles.” Aaron Dietz, author of Super

“At the intersection of the mundane and the surreal you’ll find Bud Smith. Poetic, profane and bizarre, Smith’s characters and the world he creates simultaneously attracts and repulses; just when you think you’ve got the characters pegged they do something wonderful like shitting in a box or disgusting like falling in love. Outrageous and frighteningly real, Bud Smith’s writing is always beautifully written and wildly entertaining.” – Martha Grover, Author of One More for the People.

“There are two types of people: tollbooth operators and people who think there are people who aren’t tollbooth operators. Bud Smith’s Tollbooth is about you, whether you like it or not. You most likely do not work in a tollbooth but chances are you do know what it’s like to work a mind-numbing job. Chances are you also know what it’s like to make life-changing mistakes. And I hope to goodness and back that you also know what it’s like to take a risk that will possibly change everything for the better. Tollbooth has all of these things, but you probably know that already because you’re in it.” Aaron Dietz, author of Super

“Tollbooth: better than Madame Bovary, not as good as masturbation.” – Martha Grover, Author of One More for the People.

MORE ABOUT BUD SMITH AT http://budsmithwrites.com/

Wednesday, August 21, 2013

Call for Submissions: Snail Mail Review

Snail Mail Review is now open for submissions!!

Submission Guidelines:

We accept simultaneous submissions
We do not accept previously published work

Poetry: 3-5 poems, 35 lines each
Short Fiction: 1-7pgs (max. 1500 words)
...
Mail Submissions to:
Snail Mail Review
C/O Christine Chesko
1694 Augusta Pointe Dr.
Ripon, CA.
95366

Include:
S.A.S.E (Self-Addressed Stamped Envelope)
Cover Letter W/ Brief Bio.

--OR--

E-mail Submissions to:

smrsubmissions@gmail.com

**Please visit http://snailmailreview.com/ for detailed information regarding submission guidelines.

Open Submissions: August 1, 2013
Submission Deadline: December 31, 2013